Abstract: En hdv-kamera som filmar i 1080i men som snarare är något för en riktig studio än för hemmabruk då den är dyr och stor. Bildkvaliteten är också därefter, enligt testarna rent av utmärkt.
Abstract: Noise levels are low. Contrast also looks good. The resolution was outstanding. Even in the very fine detailed areas of the resolution trumpets, there was almost no moiré ? none at all, in fact, in the vertical. The testing that Adam Wilt?s reported on...
Abstract: You can now create six custom presets in the camera for 23 different recording specifications (plus 20 presets to the memory card), which is more than in the XL2. This allows you to have your pre-adjust settings locked and easily accessible as you trot...
Abstract: Dirck HalsteadCanon has always taken a "wait and see" attitude when it comes to introducing its new video products. Then, once it has determined the direction the market is going in, they do their homework, and come up with something that is beyond any...
Abstract: While Canon has turned out dozens of great still cameras and lenses over the years, when the DV revolution came about the company was relatively unknown in the video world. Canon’s consumer cameras were a mixed lot — anyone remember the origin...
Published: 2006-02-13, Author: Ben , review by: cnet.com
Very high resolution; extensive image controls; interchangeable lenses; compatible with the Canon XL system of lenses and accessories; compatible jack pack is ideal for multicam studio work.
No true progressive shooting; strange ergonomics; stock lens hard to focus manually; pricier than the competition.
Canons semipro high-definition XL H1 video camera is a winner for event, reality, ENG, and documentary shooters, but its price is high.
Class-leading 800+ TVl/ph detail. Comprehensive color tweaks. Clean pictures with multiple noise reduction options. Excellent focusing aids. SDI output. Simultaneous SD and HD out- put; 60i, 24f, and 30f modes. FireWire remote control. Interchangeable len...
Expensive and front heavy. The 24f and 30f modes degrade vertical resolution. Spongy lens controls impede precise work. Audio options not as flexible as they could be. SDI lacks embedded audio, timecode. No letterboxed down-conversion.
The "chainsaw" is back in black--with uncompressed SDI output, genlock, and 1080i HDV recording, as well as the best resolution available under $10,000. If you liked previous XLs, youll love the H1. Gorgeous high-definition images are worth the price....
Abstract: Of the first crop of professionalized HDV camcorders with 1/3in. sensors, only the latest, Canons XL H1, can claim to have been created by a lens manufacturer. Canon kept the familiar “chainsaw” profile of the XL series for the new XL H1...
très haute résolution ; contrôles de l’image complets ; objectifs interchangeables ; compatible avec le système d’objectifs et d’accessoires Canon XL ; léventail des prises jack compatibles est id...
pas de véritable fonctionnalité de prise de vue progressive ; ergonomie étrange ; mise au point manuelle difficile avec l’objectif standard ; plus onéreux que la concurrence.
le caméscope haute définition semi professionnel XL H1 de Canon est idéal pour filmer des événements, les scènes de la vie courante, des reportages et des documentaires, mais son prix est élevé.
In bestimmten Anwendungsgebieten (besonders im Studio) kann die XL 1H bisher eine Alleinstellung einnehmen. Nirgendwo sonst bekommt man unter 10.000 Euro ein echtes HD-Signal unkomprimiert aus einer Kamera geliefert. Auch die Timecode-Synchonisation gi...
